The "Old Growth" 2008 Fringe Blog

That which chronicles the writing, rehearsals and summer 2008 Fringe touring of Alex Eddington's new play "Old Growth".

24 June 2008

the head of the chicken

It's day five - or is it six? - of the Ottawa Fringe, and I must say, I feel a little bit like Joe Mal (Rachelle Elie's clown in her Fringe show JOE: The Perfect Man) when he collapses in a middle of a Macbeth audition, cowering from the imagined ghost of a chicken that he once accidentally killed. I believe that I feel a similar mix of adrenaline, fear, anticipation, and confusion about the things that my mind throws at me. And oddly, though I should say I feel also like a chicken with its head cut off - I think I feel like the head, watching my body run around blindly from Fringe show to Fringe show and perhaps just thinking "...chill."

I've seen some farmtastic shows: "Boat Load" (from Jayson McDonald of "Giant Invisible Robot" fame), "Circumference" by Amy Salloway, new shows from TJ Dawe, Keir Cutler and Gemma Wilcox, and a moving monologue about mother-son relationships ("The Girl in the Picture Tries to Hang Up the Phone") from writer-performer Hume Baugh. And I've spent the last bunch of nights chatting with performers in the beer tent - which might sound to an outsider like weird recursive conversations of Fringe talking to Fringe about Fringe - but is really balm for the soul. I've missed these people. The great thing about being a touring Fringe artist is that these people - even the Fringe-famous ones above - are my friends.

But I'm TIRED. I keep talking to Amy Salloway for far too long. We knew this would happen. There is just so much to talk about. Last night I declined to walk her the two blocks home to her billet's house, hoping to avoid the three-hour conversation that neither of us ever plan to have. Alison Williams (my director) walked her instead. And they talked for three hours.

As for "Old Growth" - we've had three shows, we've had some reviews... and now we are in the middle of a four-day-off period. Which is great. We're taking out a few minutes of text so that the show can breathe more - and I suspect this will work very well, and allow the show to reach more people.

Back to publicity for me! And a couple of hours of rehearsal - and going to shows - and talk and talk and talk...