Both Alex Eddington and Aura Giles have Master’s degrees in Music – his in composition, and hers in flute performance.
Alex and Aura met at the University of Alberta in 2004. He was her T.A. for Introduction to Composition.
Aura moved to Ottawa for her Master’s degree. She came to see Alex’s show The Fugue Code at the 2007 Ottawa Fringe...and later that summer, as Alex and director Alison Williams were beginning to plan Old Growth, it dawned on them that Aura might be the ideal second performer for the show.
Aura’s character was originally supposed to be nearly mute, communicating primarily through her flute.
Alex really did work as a street canvasser for an environmental not-for-profit. It was the hardest job he has ever had.
Old Growth is Alex’s attempt to write the strongest possible
script about our relationship to our environment. He shares this
problem with his character: nothing else he has read or heard has gone
far enough – to evoke the emotional and moral response needed to change how we live.
The seed of Old Growth was a
commission/challenge from Alex’s father to write something (be it
a poem, a symphony, a novel, an opera...) that convinced people to take
action on climate change. Not just talk...
During the rehearsal process, Alex, Aura and Alison have had almost
daily discussions (sometimes tearful, always unplanned) about relevant
issues.
The axe is real. The finger is not.
The two hand-drums are a cajon and a djembe-cajon, both all wood and manufactured in Ontario by Mountain Rhythym percussion. Alex found them expressly for this show.
Old Growth is lit with only
naturalistic stage lighting, portraying a gradual change from early
evening, to sunset and into dusk. Onstage are three lanterns, a
large flashlight, and a circle of 12 LED candles.
While most of the music in the show was improvised in rehearsal (and is
somewhat different from performance to performance), the core material
is a series of pieces that Alex wrote for Aura well before the script
and story of Old Growth were hammered out. Alex gave himself the
challenge of writing music that “sounds like a tree”...and
these pieces – called Branchings – were the result.
Old Growth is Acky-Made’s first show with live music – which might be surprising, considering The Fugue Code (2007) was a comedy-thriller about J.S. Bach!
Alex revisited his childhood interest in magic for the show –
with considerably more self-discipline this time. Old
Growth contains sleight-of-hand magic
with traditional objects (coins and sponge balls) as well as some
unexpected materials (chewing gum, receipts, rubber bands, finger
rings, water, light...)
As befits a show about
environmental responsibility – and trees – the marketing
campaign for the 2008 Fringe tour of Old Growth is virtually
paperless. Instead of posting posters and flyering flyers, Alex
and Aura will be working the Fringe lineups with magic, music, charm...
and hand stamps.